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Image Credit Header image: Artwork by Professor Lubaina Himid, CBE. Photo: @Denise Swanson
ORCID: 0000-0003-4797-7495
(2014)
On the Origins of Hip Hop: Appropriation and Territorial Control of Urban Space.
In:
Consuming Architecture: On the occupation, appropriation and interpretation of buildings.
Routledge, Oxon, pp. 185-202.
ISBN 9780415824996
ORCID: 0000-0003-4797-7495
(2016)
Graffiti in Devon: acquired minority culture by choice and osmosis.
In:
Urban Minorities.
BUS
(6).
Königshausen & Neumann.
ISBN 978-3-8260-5620-8
ORCID: 0000-0003-4797-7495
(2020)
Permanent Transience: the identity crisis within representations of new urban housing.
In:
Global Dwelling: Approaches to sustainability, design and participation.
WIT Press, pp. 3-14.
ORCID: 0000-0003-4797-7495
(2018)
From Broken Glass to Ruf Diamonds: Manchester Hip Hop.
In:
Sounds Northern.
Equinox Publishing, pp. 155-173.
ISBN 9781781795712
ORCID: 0000-0003-4797-7495
(2017)
Moving Targets: practice, architecture and urban shrinkage.
In:
Global Dwelling: Intertwining Research, Pedagogy and Community Participation.
Universitat Ramon Llull (URL), Spain.
ISBN 978-84-939814-2-6
ORCID: 0000-0003-4797-7495
(2021)
Appropriation: Graffiti (UK).
In:
Encyclopedia of Vernacular Architecture of the World - 2nd Edition.
Bloomsbury Publishing.
ISBN 978-1472592736
ORCID: 0000-0003-4797-7495
(2016)
Routledge Encyclopedia of Modernism: Moses, Robert (1888–1981).
Routledge Encyclopedia of Modernism
.
ORCID: 0000-0003-4797-7495
(2016)
Futurism: Futurist Architecture.
Routledge Encyclopedia of Modernism
.
ORCID: 0000-0003-4797-7495
(2018)
Soft Tension: Reimaginging urbanism and rurality through the spatio-cultural practices of hip hop.
In:
Rurality Re-imagined: Villagers, Farmers, Wanderers, Wild Things.
Applied Research and Design, USA - San Francisco Bay Area.
ISBN 9781940743349
ORCID: 0000-0003-4797-7495
(2016)
Project The Future - The Projections.
[Artefact]